Toshinori Kuraoka, Yoshikazu Sato, Natsuko Watanabe, and Sho Okamoto, who were employed at Seiwa Bunrakukan, spent two years practicing storytelling and shamisen, puppeteer Mae Yamashita also spent two years, and Shuji Kajiwara spent about one year. months, Awaji Puppet Theatre Training at.

Awaji Puppet Theatre Following the footsteps of his master, Toutaro Yoshida, Shinkuro Yoshida travels to Nagano Prefecture every year to teach puppetry. Awaji Puppet Theatre Training at.

Awaji Puppet Theatre Training for puppeteers.

Tayu and shamisen training in Awaji.

Mr. Shinya Terasaka Awaji Puppet Theatre I studied tayu and shamisen for two years.

Hachioji Kuruma Dolls Mr. Nishikawa Ryutama, the puppeteer of Nishikawa Furyuza, will be holding the Hachioji Kuruma Doll for one year. Awaji Puppet Theatre Training at.

Awaji Puppet Theatre Three months after his first American tour in 1970, he asked me to teach him Joruri. Awaji Puppet Theatre He is a music instructor at Columbia University in the United States. He trained for about a month and a half.

From the United States as a student, Awaji Puppet Theatre I came and trained for about a month. He is famous for directing the Broadway musical The Lion King. When a lion is angry, its face comes forward. Awaji Puppet Theatre He got a hint from the way the samurai he trained with used puppets.

She came from America to learn puppetry and joruri. He appeared as a guest at the Awaji Motoyoshi Judging Committee and talked about ``Ehon Taikōki 10th Dan: Amagasaki Dan.''

Having been interested in Japanese since childhood, he came to Japan from Australia and worked as an English teacher. From Grinson Bill Awaji Puppet Theatre From October 1980, I went to a homestay for two months at the home of Mori Katsu, the director of the Awaji Doll Association, and on the final day of the training, I played a crane for the ``Kanjo Awa Naruto Junrei Uta no Dan.'' performed on stage. After returning to Australia, he got a job at the state-run ABC Television and became a popular entertainment anchor. 1986 Awaji Puppet Theatre Served as stage interpreter for performances in Australia and New Zealand.

In the 1970s, a professor and nine students from the puppetry department of the Polish National University of Performing Arts stayed in Japan for about a month as part of a project run by the Japan Foundation's Acceptance Department. Awaji Puppet Theatre However, I received training on the structure and how to use the three-person puppets. After graduating from university, he joined the National Alekkin Theater Company, where he created dolls' heads and limbs out of paper clay, and even created Dakki (I wonder if the woman's face turns into a demon). , Laugh, Laugh,” will be performed. After that, ``Tsunami'' was also performed. ``Carmen'' and ``Don Quixote'' were also performed using the three-person technique. This sparked a boom in puppet theater companies overseas.

1986 Awaji Puppet Theatre A French woman suddenly shows up requesting training. From my friend Schrunze Rolf from Burlin University Awaji Puppet Theatre The participants listened to information from the staff and received four training sessions over a period of about eight months. The first two times I went there I was alone, but the third time I came to Japan with a friend who was a puppeteer, and the fourth time I had a puppeteer from East Germany come to Japan with me for training in puppet making. In 1999, at the 9th National Puppet Maker Summit & Festival, she returned home and performed the original work by Akinari Ueda, ``Hebisei no Umu''.

After graduating from the University of Colorado, he studied abroad at Konan University and went on a tour. Awaji Puppet Theatre I stopped by. Returned to Japan and studied religious studies at the University of Chicago Graduate School, then studied abroad again at the University of Tsukuba for two years. He researched religious studies and folklore backgrounds, and summarized the Sanbaso of Awaji dolls in his paper ``PUPPETS OF THE ROAD.'' Later, ``PUPPETS OF THE ROAD,'' published by Princeton University, was written in English only about Awaji dolls. It was my first book ever. During the 1997 American performance, she not only acted as stage interpreter for New York, Cleveland, and Kent University, but also gave a lecture on Awaji dolls before the performance. In the 2010 (Heisei 210) performance in Canada and the United States, I performed at Cornell University, where I work. Awaji Puppet Theatre I fulfilled my dream of holding a performance.

A puppeteer active in New York, Awaji Puppet Theatre A graduate of the Puppet Theater Academy in Charleville-Mezieres, France, who was invited to participate in the International Puppet Festival in 1997. Awaji Puppet Theatre After seeing a performance at Awaji's Ichimura Rokunojoza at an exhibition venue, he became interested in Dogugaeshi, a stage mechanism unique to Awaji. Awaji Puppet Theatre and AWAJI NINGYÔ JÔRURI I received training at the museum and Tokushima. Inspired by Dogu Gaeshi, he produced ``DOGUGAESHI'' in 2004, which won the NY Bessie Award and the NY Innovative Theater Award, and performed in Japan in 2007.

Belgian puppeteer. In 1997, he came to Japan to learn about three-man puppetry and traditional performing arts, and traveled to puppet shows all over the country. Awaji Puppet Theatre He trained there for about three weeks. In 1987, he enrolled as one of the first students at the Conservatoire National Supérieure des Arts Puppetry in Charleville-Mégères, France. After graduating, he launched COMPAGNIE BERNARD CALIR - STUDIO MARIONNETTES, and began performing puppet theater for adults. He is also active in a variety of fields, including puppet and stage art design, composition, manipulation, and directing. In the spring of 2004, he was in charge of creating and manipulating marionettes for a Tokuhon TV commercial, and the marionettes used are on display at the Yokohama Doll Museum in Yokohama.